Every action experienced a slightly various character, reflecting individuals participating. Black Life Matter manufactured a strong visible effect by using chains in an unmistakable evocation of slavery, seeking to restrict accessibility of white people to rejoice the accession of an avowed racist to stay in the White Dwelling, constructed as it was by enslaved labor.
Tactics three: Arms Up, Will not Shoot. In the house of copresence, the Black Life Subject motion mobilized political bodies from vulnerable bodies in buy to maintain spaces in which its claim to appear persistently at the steps of law enforcement can look. Ruth Wilson Gilmore has outlined racism as the “production and exploitation of team-differentiated vulnerability to premature loss of life. “ The signature gestures of the put up-Ferguson motion ended up the new motion “Palms Up, Never Shoot” and the appropriation of the older tactic of the mass die-in.
By appropriative reversal of vulnerability, these embodied performances reclaimed the ideal to existence, the to start with declare of all abolition. This susceptible moment results in a dynamic whereby those adhering to or viewing experience actively engaged, regardless of whether on the net or domestically. It phone calls to the witness and the watcher to grow to be engaged 1st through bodily mimesis and then by building the viewing body political.
Political bodies oppose them selves by signifies of these repetitions to the illustration of the state by the law enforcement. rn”Arms Up, Never Shoot” remodeled the present vernacular of black protest into the signature of a movement.
In 2013, Los Angeles people took to wearing T-shirts declaring “Don’t Shoot, I am Not Chris Dorner,” referring to the shootings of a few civilians by the LAPD for the duration of the pursuit of their previous officer.  A calendar year afterwards, in February 2014, Washington Post columnist Eugene Robinson wrote a extensively circulated piece under the headline “I’m Black, Will not super bpaper Shoot Me” in reaction to the capturing of Jordan Davis by Michael Dunn because the latter found Davis’s audio to be much too loud.  At Eric Garner’s funeral on 23 July 2014, mourners wore T-shirts reading through “Will not Shoot Me, I’m Black,” even though Garner was not shot but strangled by police. The events in Ferguson transformed this set of associations into a new kind of embodied protest.
Despite the fact that “Arms Up” flowed from what was believed to have occurred, it was not a straightforward recreation of the scene of the murder. Leaving apart the query of no matter if Brown raised his fingers (a likelihood complex by the reality his suitable arm was broken by a bullet ahead of he turned around), the gesture of lifted fingers did imitate those people created at the scene, these as all those of a white contractor, caught on a mobile-cellular phone video. [forty four] He stood with his hands elevated in a gesture that obviously asks: “why did you shoot if his palms were up?” It expresses puzzlement and confusion as substantially as rejection.
On the first evening following the shooting on nine August 2014, protestors at the scene came alongside one another to hold a vigil at the request of Brown’s mother Lesley McFadden. Confronted by police with canines, as if it was instantly Birmingham in 1963, they responded by raising their arms, documented in a Vine video posted by Antonio French, a regional councilor.